'Prinses op de Erwt' – Regula M. Müller
'Prinses op de Erwt' – Regula M. Müller
Esther Bruggink's (Groningen, 1971) sculptures often originate from fairy tales and myths, yet each creates its own unique narrative, in which an underlying, poignant tension is palpable. Bruggink emphasises the vulnerability of her creations not only through their subject matter but also through their materials. The polyester film she uses is fragile and translucent, hand-sewn in pieces with a surgical needle. Sometimes, she applies a layer of embroidery thread or red-dyed rubber directly beneath the film, like branches within the body that only become visible through backlighting on the transparent surface of the polyester. Bruggink's recent work is different in both material and appearance. While her earlier work is light, expectant, and resigned to its fate, her new works seem to scream from within. The innocent vulnerability goes hand in hand with an oppressive inner turmoil.
Esther Bruggink's (Groningen, 1971) sculptures often originate from fairy tales and myths, yet each creates its own unique narrative, in which an underlying, poignant tension is palpable. Bruggink emphasises the vulnerability of her creations not only through their subject matter but also through their materials. The polyester film she uses is fragile and translucent, hand-sewn in pieces with a surgical needle. Sometimes, she applies a layer of embroidery thread or red-dyed rubber directly beneath the film, like branches within the body that only become visible through backlighting on the transparent surface of the polyester. Bruggink's recent work is different in both material and appearance. While her earlier work is light, expectant, and resigned to its fate, her new works seem to scream from within. The innocent vulnerability goes hand in hand with an oppressive inner turmoil.
